The Bodyguard: The Musical has brought the biggest hits of Whitney Houston to the Palace Theatre in Manchester, delivering a night that feels as much like a concert as it does a piece of musical theatre. I’ve never seen the film, but my plus one assured me it sticks closely to the 1992 original, with a few updates along the way — subtle nods to social media and a sprinkling of 21st-century modernity that help it feel current without losing its heart.
Sidonie Smith absolutely dazzles as Rachel Marron. Her voice is a true tour de force — powerful, effortless and packed with emotion — and she genuinely feels like a global superstar. Every time she steps on stage, the atmosphere shifts, and it’s impossible not to be swept up in her presence. Taking on Whitney Houston’s iconic catalogue is no small task, but Smith rises to the challenge with confidence and respect, making the songs feel both familiar and fresh.
Adam Garcia plays Frank Farmer, the stoic bodyguard Rachel is initially reluctant to accept. His performance brings a calm authority to the role, and the slow-burn chemistry between him and Smith develops naturally as the story unfolds, both professionally and personally. Their relationship feels earned rather than rushed, grounding the show amid the glitz and glamour.
What really elevates The Bodyguard is the music. The big numbers land exactly as you hope they will, building to moments that feel euphoric rather than predictable. And just when you think it’s over, the finale reprise turns the theatre into a full-blown celebration — joyful, high-energy and ridiculously fun, with the audience fully on its feet and loving every second.
For a first timer watching the show and not precisely knowing the story I felt like it delivered and made for an enjoyable night at the theatre.
Dan Carter for Canal St Media