The Big Tiny has done it again. Their brand-new pantomime The Pied Piper, written and directed by Ben Richards, is an irresistibly joyful triumph — a riot of colour, comedy and community spirit that confirms the company’s growing reputation as one of the North West’s most inventive festive forces.
Since founding The Big Tiny in 2019, Richards and co-founder Will Cousins have carved out a distinctive and much-loved niche for themselves: pantomimes that are inclusive, sharply written, and brimming with heart. With past successes including Dick Whittington, Robin Hood, Jack and the Beanstalk, Aladdin, Sleeping Beauty and Rumpelstiltskin, as well as winning Best Newcomer at the National UK Pantomime Awards, expectations are high. The Pied Piper not only meets them — it possibly sails past them!
This is a reimagining that proudly plants itself in Bury soil. Familiar elements of the traditional tale remain, but the creative team gleefully transforms the story into a love letter to the town itself. The action unfolds across Bury Market and around the iconic Robert “Bobby” Peel statue, and in front of the Parish Church, with jokes and references that celebrate local characters, landmarks and a vibrant community spirit. Even the plot twists are distinctly Bury: instead of rats, the Piper must rid the town of black puddings and threats to its beloved market!
The cast of seven is exceptional, supported by a lively young company of dancers who bring infectious energy to every musical number. Nathan Hobley-Smith delivers a chilling, cunning and utterly compelling performance as The Pied Piper, crafting an outstanding pantomime villain whose presence electrifies every scene. But the show is unequivocally stolen by Anthony Gyde, delivering an outstanding performance as Little Bea Poop — an instant pantomime classic dame. Gyde’s timing, warmth and razor-sharp wit create a glorious whirlwind of comedy.
The mother to handsome Rudy Poop (a charming, heroic turn by Jacob Goodchild) and the mischief-loving Pee Wee Poop (a wonderfully cheeky Toby West). There’s an abundance of playful Poop-themed jokes, and just the right sprinkle of innuendo to keep adults roaring with laughter without ever overshadowing the family fun.The show also features pop music that children immediately recognise, adding excitement and keeping younger audiences fully engaged.
Visually, The Pied Piper dazzles. The sets are bright, imaginative and properly festive, while the costumes are flamboyant enough to rival any major-city pantomime. There’s even a show-stopping gigantic chicken — a perfectly ridiculous surprise that sends the audience into fits of delight.
What truly elevates this production is its message. Between the slapstick, the songs and the silliness, the pantomime champions strong neighbourhood bonds and pride in local identity. It feels tailor-made for Bury audiences, yet universal in its warmth and generosity.For families seeking a festive treat that blends tradition with fresh ideas, humour with heart, and spectacle with sincerity, The Pied Piper at The Met is unmissable. The Big Tiny has created a pantomime that is not only thoroughly entertaining but genuinely uplifting — a celebration of community wrapped in glitter, giggles and pure Christmas magic.
Photographer Howard Barlow
Peter Johnson for Canal St Media