Another exciting premiere has arrived at The Lowry, and this time with boiled travel sweets!
Murder on the Orient Express is one of Agatha Christie’s most famous novels featuring the brilliant Belgian detective, Hercule Poirot. It was first published in 1934 and is the 10th novel in the Hercule Poirot series. Adapted by Ken Ludwig and directed by Lucy Bailey, this current production is fresh and dynamic.
Led by Michael Maloney, who steps into Poirot’s polished shoes, the story is set aboard the luxurious Orient Express train traveling from Istanbul to Calais. Maloney is commanding as Poirot and overall, this production not only preserves the authentic of the era of Christie’s original work, but also introduces creative choices that will please longtime fans and newcomers to the story.
Bailey, celebrated for her visually inventive and dynamic storytelling, transforms the snowy train journey into a claustrophobic yet grand experience. Her direction expands the traditional boundaries of staging, creating an intimate, immersive atmosphere that makes the audience feel as if they are aboard the fateful train. The production’s stellar cast, including Debbie Chazen as the aristocratic Princess Dragomiroff, Mila Carter as the mysterious Countess Andrenyi, and Rebecca Charles as the tight-lipped Greta Olsson, adds depth and tension to the unfolding drama. This adds layers to the complex interplay of characters and most importantly the show builds suspense effectively, keeping the audience guessing until the iconic reveal.
In addition, the design elements stand out, particularly Mike Britton’s set design and Oliver Fenwick’s lighting. Their work creates a visually engaging experience, heightening the tension of the classic whodunit. Ian Galloway’s video design further enhances the production, using modern effects to create the illusion of the train journey, adding a cinematic quality to the stage.
Importantly, this adaptation doesn’t shy away from exploring moral ambiguity and complex human relationships. Themes of secrecy, hidden identities, and the questioning of societal norms are particularly relevant and the way the characters conceal their true selves to protect their lives and how those secrets eventually unravel demonstrate this is more than just a murder mystery. It’s a layered performance that, under Bailey’s direction, touches on themes of difference, identity, and survival.
What makes Murder on the Orient Express unique is its solution and the story’s resolution challenges moral and ethical boundaries, raising questions about justice and retribution. The novel is a key entry in the Poirot series and showcases Christie’s mastery of plot and character development. Anyone who appreciates sharp storytelling and a visual spectacle will be captivated by this production, and this is something that everyone should try and catch!
Murder on the Orient Express is at the Lowry until the 14th September, where it then embarks on a national tour.
Dean Thomas-Lowde for Canal St Media
